1 00:00:20,060 --> 00:00:21,560 CLOSE THE DOOR. 2 00:00:25,230 --> 00:00:28,300 I JUST SPOKE WITH THE D. A.'s OFFICE. 3 00:00:28,330 --> 00:00:30,570 THEY'RE STILL TRYING TO DECIDE IF THEY HAVE ENOUGH 4 00:00:30,600 --> 00:00:32,570 TO PUT A CASE TOGETHER ON SIDNEY THOMPSON. 5 00:00:32,600 --> 00:00:34,770 ANY INDICATION WHICH WAY THEY'RE LEANING? NO. 6 00:00:34,810 --> 00:00:36,880 EVERYBODY'S ACTING LIKE THIS IS THE FIRST TIME 7 00:00:36,910 --> 00:00:38,440 A SUSPECT GOT LEANED ON. 8 00:00:38,480 --> 00:00:41,220 THIS ISN'T THE FIRST TIME. THAT'S PART OF THE PROBLEM. 9 00:00:41,250 --> 00:00:43,560 AND A. D. A. HAYWOOD ‐‐ SHE WAS HERE WHEN YOU DID IT. 10 00:00:43,580 --> 00:00:45,610 SHE'S A WITNESS. SO WHAT DO YOU THINK 11 00:00:45,650 --> 00:00:48,920 THE ODDS ARE OF HER PLAYING DUMB AND RISKING HER CAREER 12 00:00:48,950 --> 00:00:50,390 TO SAVE YOURS? 13 00:00:50,420 --> 00:00:52,290 EVEN IF THE D.A. DOESN'T INDICT, 14 00:00:52,320 --> 00:00:54,060 WORD I HEAR IS YOU'RE GOING TO HAVE A PROBLEM ‐‐ 15 00:00:54,090 --> 00:00:55,890 A CAREER‐LEVEL PROBLEM, BECAUSE THE JOB 16 00:00:55,930 --> 00:00:58,900 IS GOING TO BE LOOKING AT YOU FOR BLOWING THIS CASE. 17 00:00:58,930 --> 00:01:00,930 IS THE WORD THAT I'D BE DONE AS A DETECTIVE? 18 00:01:00,970 --> 00:01:02,840 WE GOT TO WAIT TO HEAR FROM THE D. A. 19 00:01:02,870 --> 00:01:04,340 MEANTIME, YOU'RE ON MODIFIED. 20 00:01:04,370 --> 00:01:06,070 CATCH UP ON YOUR PAPERWORK 21 00:01:06,100 --> 00:01:07,540 AND LAY LOW. 22 00:01:16,280 --> 00:01:18,750 IF THE D. A.'s OFFICE INDICTS OUR PERP, 23 00:01:18,780 --> 00:01:20,380 I GOT A CHANCE. 24 00:01:23,190 --> 00:01:24,600 HI. HI. MAY I HELP YOU? 25 00:01:24,620 --> 00:01:26,860 YEAH, DETECTIVE CONNIE McDOWELL. 26 00:01:26,890 --> 00:01:29,090 I'M SUPPOSED TO REPORT TO LIEUTENANT FANCY. 27 00:01:29,130 --> 00:01:31,540 Andy: WHAT FOR? BOROUGH SAID YOU WERE SHORT ON MANPOWER 28 00:01:31,560 --> 00:01:33,030 AND NEEDED ANOTHER BODY. 29 00:01:33,060 --> 00:01:35,860 DID THEY SAY HOW LONG YOU'D BE ASSIGNED? 30 00:01:35,900 --> 00:01:38,800 NO, THEY DIDN'T. Andy: THAT'S FANCY ON THE PHONE. 31 00:01:40,910 --> 00:01:42,950 IS THERE A MIX‐UP OR SOMETHING? 32 00:01:42,970 --> 00:01:45,710 'CAUSE AS FAR AS I KNOW, I WAS ASSIGNED HERE. 33 00:01:45,740 --> 00:01:48,040 SORRY. DIANE RUSSELL. 34 00:01:48,080 --> 00:01:49,610 HEY. 35 00:01:49,650 --> 00:01:51,050 THIS IS OUR P. A. A. JOHN IRVIN, 36 00:01:51,080 --> 00:01:53,680 DETECTIVES ANDY SIPOWICZ, DANNY SORENSON, 37 00:01:53,720 --> 00:01:56,020 GREG MEDAVOY, BALDWIN JONES. 38 00:01:56,050 --> 00:01:57,450 NICE TO MEET YOU. 39 00:01:57,490 --> 00:01:58,950 STABBING AT THE GIRARD. 40 00:01:58,990 --> 00:02:00,890 SUSPECTS DETAINED AT THE SCENE. 41 00:02:00,930 --> 00:02:03,130 VICTIM'S EN ROUTE TO BELLEVUE. 42 00:02:03,160 --> 00:02:04,790 BOROUGH SENT HER OVER TO HELP OUT. 43 00:02:04,830 --> 00:02:06,700 McDOWELL, RIGHT? YES, SIR. 44 00:02:06,730 --> 00:02:07,860 YOU MEET EVERYONE? 45 00:02:07,900 --> 00:02:09,230 YES, SIR. 46 00:02:09,270 --> 00:02:10,910 OKAY, WHY DON'T YOU PARTNER UP WITH DIANE? 47 00:02:10,940 --> 00:02:12,410 YOU TWO HEAD OVER TO THE HOTEL. 48 00:02:12,440 --> 00:02:14,480 GREG AND BALDWIN, GO TO THE HOSPITAL. 49 00:02:14,510 --> 00:02:16,820 VICTIM'S NAME ‐‐ ROSS FITZPATRICK. 50 00:02:16,840 --> 00:02:19,940 ANDY, CHECK IF ANYTHING CAME OFF NIGHT WATCH. 51 00:03:51,040 --> 00:03:53,780 EXCUSE US. COULD WE TALK TO HIM FOR A SECOND? 52 00:03:53,810 --> 00:03:56,780 ROSS, I'M DETECTIVE JONES. 53 00:03:56,810 --> 00:03:58,170 MY PARTNER ‐‐ DETECTIVE MEDAVOY. 54 00:03:58,210 --> 00:04:00,510 WE'RE INVESTIGATING WHAT HAPPENED. 55 00:04:00,550 --> 00:04:02,520 WHAT CAN YOU TELL US ABOUT IT? 56 00:04:02,550 --> 00:04:04,960 KNOCK ON MY DOOR, WOKE ME OUT OF A DEAD SLEEP, 57 00:04:04,980 --> 00:04:07,750 HEARD SOMEONE SAYING THERE WAS A GAS LEAK IN THE ROOM. 58 00:04:07,790 --> 00:04:08,860 THEY NEEDED TO CHECK, 59 00:04:08,890 --> 00:04:11,360 SO I OPENED UP. I WAS GROGGY. 60 00:04:11,390 --> 00:04:13,520 IT'S A NICE HOTEL, SO I DIDN'T THINK TWICE. 61 00:04:13,560 --> 00:04:15,860 NEXT THING I KNOW, I'M FACE FIRST ON THE GROUND, 62 00:04:15,890 --> 00:04:17,760 KNIFE AT MY THROAT, HIM WANTING MONEY. 63 00:04:17,800 --> 00:04:19,710 HAD YOU BEEN FLASHING MONEY AROUND TOWN 64 00:04:19,730 --> 00:04:21,360 AND MAYBE SOMEONE FOLLOWED YOU? 65 00:04:21,400 --> 00:04:23,100 THE ONLY THING I CAN THINK OF IS, 66 00:04:23,130 --> 00:04:25,030 I BROKE $100 AT THE LOBBY BAR. 67 00:04:25,070 --> 00:04:27,870 I PEELED THAT OFF A ROLL. IT WAS STUPID OF ME. 68 00:04:27,910 --> 00:04:30,720 THAT'S THE ONLY THING I CAN THINK OF, THOUGH. 69 00:04:30,740 --> 00:04:32,140 WHAT DID HE LOOK LIKE? 70 00:04:32,180 --> 00:04:34,220 DARK HAIR, 20s, WHITE GUY. 71 00:04:34,250 --> 00:04:37,720 THAT'S ALL I GOT BEFORE HE PUSHED ME ON THE FLOOR. 72 00:04:37,750 --> 00:04:40,380 LIGHTS WERE OUT. I'D BEEN SLEEPING. 73 00:04:40,420 --> 00:04:42,650 THERE'S NOTHING ELSE DISTINCTIVE YOU CAN REMEMBER? 74 00:04:42,690 --> 00:04:47,500 GUYS, I'M, UH, IN A LOT OF PAIN HERE. 75 00:04:47,530 --> 00:04:49,500 YEAH, ALL RIGHT. YOU REST UP. 76 00:04:49,530 --> 00:04:52,070 WE GOT A POSSIBLE SUSPECT DETAINED AT THE SCENE, 77 00:04:52,100 --> 00:04:53,400 SO WE'LL COME BACK, 78 00:04:53,430 --> 00:04:55,560 SEE IF YOU CAN PICK HIM OUT OF A PHOTO ARRAY. 79 00:04:55,600 --> 00:04:57,900 WELL, I'M TELLING YOU, ALL I CAN REMEMBER IS... 80 00:04:57,940 --> 00:05:00,080 WHITE GUY, BLACK HAIR. 81 00:05:00,100 --> 00:05:02,700 WE'LL COME BACK LATER. 82 00:05:09,510 --> 00:05:11,080 WHAT DO WE GOT? 83 00:05:11,120 --> 00:05:13,090 HOTEL GUEST ‐‐ ROSS FITZPATRICK ‐‐ 84 00:05:13,120 --> 00:05:14,930 STUMBLES DOWN TO THE SECURITY DESK ‐‐ BUTT NAKED. 85 00:05:14,950 --> 00:05:17,190 BLEEDING LIKE A STUCK PIG. HE'S AT BELLEVUE. 86 00:05:17,220 --> 00:05:18,650 WHO'S THE SKEL? 87 00:05:18,690 --> 00:05:20,690 WE GET THE CALL, SECURITY LETS US IN THE ROOM, 88 00:05:20,730 --> 00:05:22,930 AND THAT IDIOT'S PASSED OUT IN THE CHAIR 89 00:05:22,960 --> 00:05:24,360 WITH THIS IN HIS MITT. 90 00:05:24,400 --> 00:05:25,840 WHAT HAS HE TOLD YOU? 91 00:05:25,860 --> 00:05:28,660 HE'S MESSED UP ON SOMETHING, SAYS HIS NAME'S "X." 92 00:05:28,700 --> 00:05:30,870 THAT'S ALL WE GOT... PUNK ROCKERS. 93 00:05:30,900 --> 00:05:32,200 LOOKS MORE LIKE GOTH. 94 00:05:32,240 --> 00:05:33,410 HUH? 95 00:05:33,440 --> 00:05:35,350 GOTH. THEY'RE LIKE PUNKS, JUST NEWER ‐‐ 96 00:05:35,370 --> 00:05:37,240 DIFFERENT HAIR, DIFFERENT MUSIC, 97 00:05:37,280 --> 00:05:38,380 SAME DRILL, THOUGH. 98 00:05:38,410 --> 00:05:40,910 WHAT ARE YOU, SELLING TICKETS? 99 00:05:40,950 --> 00:05:42,620 LOOKS LIKE THE GUY WAS STABBED IN THE TUB. 100 00:05:42,650 --> 00:05:43,890 WHILE HE WAS GETTING STABBED, 101 00:05:43,920 --> 00:05:45,760 HE MUST'VE LOST COMPLETE CONTROL OF HIS BOWELS, 102 00:05:45,780 --> 00:05:48,020 OFF OF BEING TERRIFIED. YOU KNOW COPS. 103 00:05:48,050 --> 00:05:49,690 GET THEM OUT OF HERE. 104 00:05:49,720 --> 00:05:50,890 SURE. 105 00:05:50,920 --> 00:05:52,620 "YOU KNOW COPS." 106 00:05:52,660 --> 00:05:54,600 COME ON. LOOK ALIVE HERE. 107 00:05:54,630 --> 00:05:55,900 HELLO. 108 00:05:55,930 --> 00:05:57,400 JUST LET ME SLEEP. 109 00:05:57,430 --> 00:05:59,930 WHY'D YOU STAB THE GUY RENTING THIS ROOM? 110 00:05:59,960 --> 00:06:02,200 I DIDN'T STAB NOBODY. JUST LET ME SLEEP, OKAY? 111 00:06:02,230 --> 00:06:04,630 DO ME A FAVOR. GET HIM DOWN TO THE SQUAD. 112 00:06:04,670 --> 00:06:07,600 NOTIFY DETECTIVES MEDAVOY AND JONES IF THEY'RE BACK. 113 00:06:07,640 --> 00:06:09,940 WELL, I DON'T WANT TO STEP ON TOES HERE, 114 00:06:09,970 --> 00:06:11,710 SO YOU TELL ME. 115 00:06:11,740 --> 00:06:14,240 DON'T WORRY ABOUT THAT. JUST JUMP IN. 116 00:06:14,280 --> 00:06:16,280 WELL, I'M THE LOW MAN ON THE TOTEM POLE, 117 00:06:16,310 --> 00:06:18,880 SO I GUESS THAT MEANS I HAVE TO GO DEAL WITH THE BATHROOM. 118 00:06:18,920 --> 00:06:20,390 HAVE FUN. 119 00:06:20,420 --> 00:06:21,620 LOVELY. 120 00:06:32,700 --> 00:06:34,170 HEY. 121 00:06:34,200 --> 00:06:36,900 VICTIM SAYS IT WAS A STRAIGHT PUSH‐IN ROBBERY. 122 00:06:36,940 --> 00:06:39,110 HE MENTION WHY HE RAN DOWNSTAIRS WITHOUT ANY CLOTHES ON? 123 00:06:39,140 --> 00:06:40,750 SAYS THE PERP WOKE HIM OUT OF A DEAD SLEEP. 124 00:06:40,770 --> 00:06:43,500 TWO CALLS OUT FROM THE VICTIM'S HOTEL ROOM ‐‐ 125 00:06:43,540 --> 00:06:45,510 FIRST ONE TO THE WEST SIDE ‐‐ 126 00:06:45,540 --> 00:06:47,340 TURNS OUT TO BE THE VICTIM'S EX‐FIANCéE. 127 00:06:47,380 --> 00:06:48,840 SHE SHOULD BE HERE ANY MINUTE. 128 00:06:48,880 --> 00:06:50,910 THEN, A LATE‐NIGHT CALL TO A RESIDENCE 129 00:06:50,950 --> 00:06:53,010 IN ROCHESTER, MINNESOTA. WE LEFT A MESSAGE. 130 00:06:53,050 --> 00:06:55,020 ANYTHING WITH THE GOTH KID? 131 00:06:55,050 --> 00:06:56,250 HE'S STILL OUT OF IT. 132 00:06:56,290 --> 00:06:57,960 WE'RE LETTING HIM SLEEP IT OFF IN THE POKEY. 133 00:06:57,990 --> 00:06:59,350 KEEPS MUMBLING HE DIDN'T STAB ANYBODY, THOUGH. 134 00:06:59,390 --> 00:07:01,490 HOW DID HE GET THE KNIFE IN HIS HAND? 135 00:07:01,530 --> 00:07:02,770 WE'RE GOING TO RESUME WITH THAT 136 00:07:02,790 --> 00:07:05,090 WHEN WE WAKE HIS ASS UP. 137 00:07:05,130 --> 00:07:07,700 COULD YOU SET CONNIE UP AT JOE'S OLD DESK? 138 00:07:07,730 --> 00:07:10,070 THANKS. 139 00:07:12,540 --> 00:07:14,780 HOW YOU DOING? 140 00:07:14,810 --> 00:07:17,280 OKAY. 141 00:07:17,310 --> 00:07:19,040 HOW ABOUT YOU? 142 00:07:19,080 --> 00:07:21,620 GOOD...YOU KNOW. 143 00:07:21,650 --> 00:07:23,520 YOU NEED ANY HELP? 144 00:07:23,550 --> 00:07:26,150 NOT RIGHT NOW, BUT, UH, IF WE DO... 145 00:07:26,180 --> 00:07:28,620 SURE. 146 00:07:28,650 --> 00:07:32,390 HI, I'M LISA DERKOS, 147 00:07:32,420 --> 00:07:35,390 HERE TO SEE A DETECTIVE REGARDING ROSS FITZPATRICK. 148 00:07:35,430 --> 00:07:37,540 THIS IS DETECTIVE RUSSELL. 149 00:07:37,560 --> 00:07:38,890 HI, LISA. HI. 150 00:07:38,930 --> 00:07:42,000 WHY DON'T WE TALK IN HERE? WONDERFUL. 151 00:07:42,030 --> 00:07:46,000 CONNIE, YOU WANT TO GIVE ME A HAND? 152 00:07:46,040 --> 00:07:50,250 HAVE A SEAT. 153 00:07:50,270 --> 00:07:52,570 ANY UPDATE ON ROSS FROM THE HOSPITAL? 154 00:07:52,610 --> 00:07:54,310 LOOKS LIKE HE'LL MAKE IT. 155 00:07:54,350 --> 00:07:58,520 GOOD FOR HIM. WHO, UM, WHO DID THIS TO HIM? 156 00:07:58,550 --> 00:08:00,320 THAT'S WHAT WE'RE TRYING TO FIND OUT. 157 00:08:00,350 --> 00:08:03,250 A HOOKER, HMM? OH, YOU CAN TELL ME. 158 00:08:03,290 --> 00:08:06,570 NOTHING WOULD SURPRISE ME AT THIS POINT. 159 00:08:06,590 --> 00:08:07,820 WE'RE NOT SURE. 160 00:08:07,860 --> 00:08:09,260 I BET IT WAS A HOOKER 161 00:08:09,290 --> 00:08:10,390 OR HER PIMP, PROBABLY, 162 00:08:10,430 --> 00:08:11,860 WHO THE HOOKER CALLED IN A PANIC 163 00:08:11,900 --> 00:08:13,740 BECAUSE THE INNOCENT‐LOOKING JOHN SHE WENT BACK WITH 164 00:08:13,770 --> 00:08:16,240 TURNED INTO SUCH A SICK BASTARD, IT MADE HER CRY. 165 00:08:16,270 --> 00:08:17,880 THAT'S THE LEAD YOU SHOULD FOLLOW. 166 00:08:17,900 --> 00:08:21,270 SO, UH, NOT ON VERY GOOD TERMS, I TAKE IT ‐‐ YOU AND ROSS? 167 00:08:21,310 --> 00:08:22,450 OH, NOT REALLY, NO. 168 00:08:22,470 --> 00:08:24,210 THAT ALL STARTED, I GUESS, 169 00:08:24,240 --> 00:08:26,410 OH, MAYBE WHEN I FOUND HIS PASSWORD, 170 00:08:26,440 --> 00:08:28,540 AND I SAW THE E‐MAIL CORRESPONDENCE 171 00:08:28,580 --> 00:08:30,950 HE HAD GOING WITH HIS SICKO INTERNET FRIENDS 172 00:08:30,980 --> 00:08:32,280 ACROSS THE COUNTRY. 173 00:08:32,320 --> 00:08:34,790 SO AS NOT TO BORE YOU WITH THE DETAILS, 174 00:08:34,820 --> 00:08:36,890 I'LL JUST THROW A WORD OUT THERE 175 00:08:36,920 --> 00:08:38,920 THAT SUMS IT ALL UP ‐‐ DIAPERS. 176 00:08:38,960 --> 00:08:41,100 OKAY? AND HERE I WAS, 177 00:08:41,130 --> 00:08:43,030 WALKING AROUND FOR SIX MONTHS, 178 00:08:43,060 --> 00:08:44,630 WEARING THIS MAN'S RING. 179 00:08:44,660 --> 00:08:48,300 WHEN WAS THE LAST TIME YOU TALKED TO ROSS? 180 00:08:48,330 --> 00:08:51,100 YESTERDAY. HE CALLED ME AT WORK, 181 00:08:51,140 --> 00:08:53,910 SAYING HOW HE WAS GOING TO HOCK THE ENGAGEMENT RING 182 00:08:53,940 --> 00:08:56,100 AND BLOW IT ALL ON A BIG NIGHT ON THE TOWN 183 00:08:56,140 --> 00:08:57,910 AND HOW HE HOPED I WAS HAPPY NOW, 184 00:08:57,940 --> 00:09:00,410 AND I TOLD HIM, "KNOCK YOURSELF OUT, DIAPER BOY." 185 00:09:00,440 --> 00:09:02,480 NO SPECIFICS OF WHO OR WHERE 186 00:09:02,510 --> 00:09:05,250 HE WAS GOING TO GO HAVE THIS BIG NIGHT? 187 00:09:05,280 --> 00:09:07,820 I DIDN'T ASK. I DIDN'T WANT TO KNOW. 188 00:09:07,850 --> 00:09:09,790 WAS HE INTO THE GOTH SCENE AT ALL THAT YOU KNOW ABOUT? 189 00:09:09,820 --> 00:09:11,820 GOTHS? LIKE ‐‐ 190 00:09:11,860 --> 00:09:14,470 YEAH, LIKE, GOTHS. 191 00:09:14,490 --> 00:09:15,990 HE WAS HANGING OUT WITH GOTHS? 192 00:09:16,030 --> 00:09:17,970 WE'RE NOT TRYING TO AGGRAVATE YOU, LISA, 193 00:09:18,000 --> 00:09:19,840 BUT WE NEED TO ASK IF HE MENTIONED THAT. 194 00:09:19,860 --> 00:09:21,930 OR IF HE HAD FRIENDS WHO WERE INTO THAT SCENE. 195 00:09:21,970 --> 00:09:23,610 NO. 196 00:09:23,640 --> 00:09:26,280 DID HE KNOW A GUY WITH THE NICKNAME "X"? 197 00:09:26,300 --> 00:09:29,340 "X"? ARE YOU KIDDING ME? 198 00:09:29,370 --> 00:09:32,940 NO, I DON'T KNOW. 199 00:09:32,980 --> 00:09:35,150 WE APPRECIATE YOU COMING IN, LISA. 200 00:09:35,180 --> 00:09:38,810 WE'LL KEEP YOU POSTED IF YOU WANT. 201 00:09:54,470 --> 00:09:55,870 THANKS, JOHN. 202 00:09:55,900 --> 00:10:00,570 IF YOU NEED ME, I'LL BE FIGHTING CRIME AT MY DESK. 203 00:10:02,810 --> 00:10:04,020 MAY I HELP YOU? 204 00:10:04,040 --> 00:10:07,180 YEAH, MY NAME'S DON MARICOMANI. 205 00:10:07,210 --> 00:10:08,510 MY SON GIOVANNI WAS KILLED YESTERDAY. 206 00:10:08,550 --> 00:10:10,520 I'M HERE TO SEE WHAT'S GOING ON 207 00:10:10,550 --> 00:10:11,880 WITH THE INVESTIGATION. 208 00:10:11,920 --> 00:10:15,890 I'M DETECTIVE SIPOWICZ. WHY DON'T WE TALK IN HERE? 209 00:10:28,170 --> 00:10:30,140 CAN I GET YOU ANYTHING? 210 00:10:30,170 --> 00:10:32,030 NO. THANKS. 211 00:10:33,870 --> 00:10:35,640 SO WHAT'S GOING ON? 212 00:10:35,670 --> 00:10:38,670 WE'RE PURSUING A STRONG LEAD. 213 00:10:38,710 --> 00:10:41,980 SO YOU CAN'T SAY, OR YOU REALLY DON'T HAVE NOTHING? 214 00:10:42,010 --> 00:10:43,410 CAN YOU JUST TELL ME? 215 00:10:43,450 --> 00:10:44,760 WE HAVE SOMEONE, 216 00:10:44,780 --> 00:10:47,750 BUT IT'S PROVEN THAT THAT'S DIFFICULT. 217 00:10:47,790 --> 00:10:51,830 THAT'S WHAT THE D. A.'s OFFICE IS WORKING ON RIGHT NOW. 218 00:10:51,860 --> 00:10:54,870 BUT YOU FEEL YOU HAVE THE SON OF A BITCH 219 00:10:54,890 --> 00:10:56,320 THAT KILLED MY SON? 220 00:10:56,360 --> 00:10:58,730 IT LOOKS GOOD, BUT LIKE I SAID, 221 00:10:58,760 --> 00:11:01,530 WE HAVEN'T GOT THE CASE TOGETHER YET. 222 00:11:01,570 --> 00:11:03,940 SO HE'S GOING TO GET OFF? IS THAT IT? 223 00:11:03,970 --> 00:11:05,500 WE'RE DOING EVERYTHING WE CAN. 224 00:11:05,540 --> 00:11:08,610 WE GOT YOUR NUMBER, AND HOW ABOUT I CALL YOU ‐‐ 225 00:11:08,640 --> 00:11:11,840 THIS GUY THAT YOU THINK MAY HAVE DONE IT ‐‐ 226 00:11:11,880 --> 00:11:15,290 COULD YOU PLEASE TELL ME IF HE HAD GIOVANNI'S NECKLACE 227 00:11:15,310 --> 00:11:16,780 ON HIM? 228 00:11:16,820 --> 00:11:20,630 IT IS THE ONE THING THAT MY WIFE WOULD LIKE TO GET BACK. 229 00:11:20,650 --> 00:11:23,250 HE WAS WEARING A NECKLACE YESTERDAY? 230 00:11:23,290 --> 00:11:26,970 WHEN I HAD TO GO IDENTIFY THE BODY, 231 00:11:26,990 --> 00:11:29,290 THE NECKLACE WAS GONE. 232 00:11:29,330 --> 00:11:32,070 THE PEOPLE AT THE MORGUE DIDN'T HAVE IT 233 00:11:32,100 --> 00:11:33,400 IN HIS BELONGINGS. 234 00:11:33,430 --> 00:11:35,300 WHAT KIND OF A NECKLACE WAS IT? 235 00:11:35,330 --> 00:11:37,470 IT WAS A GOLD CRUCIFIX AND CHAIN 236 00:11:37,500 --> 00:11:40,470 WITH GIOVANNI'S INITIALS ENGRAVED ON THE BACK. 237 00:11:40,500 --> 00:11:43,470 MY MOTHER GAVE IT TO HIM ON HIS FIRST COMMUNION, 238 00:11:43,510 --> 00:11:45,780 AND HE HAS WORN IT EVERY DAY SINCE, 239 00:11:45,810 --> 00:11:49,040 SO I GUESS IT WAS STOLEN. 240 00:11:49,080 --> 00:11:51,650 I'M GOING TO FIND OUT. 241 00:11:51,680 --> 00:11:53,950 [ SOBBING ] 242 00:12:13,100 --> 00:12:14,900 [ TELEPHONE RINGS ] 243 00:12:14,940 --> 00:12:16,100 15th SQUAD. 244 00:12:16,140 --> 00:12:20,780 UM...HOLD ON, PLEASE. 245 00:12:20,810 --> 00:12:22,840 UH, THIS IS LOUISE DUNN ON THE LINE. 246 00:12:22,880 --> 00:12:24,350 THAT WITNESS FROM YESTERDAY? 247 00:12:24,380 --> 00:12:26,310 SHE WAS ASKING FOR DETECTIVE SIPOWICZ. 248 00:12:26,350 --> 00:12:27,850 DO YOU WANT TO TALK TO HER? 249 00:12:27,890 --> 00:12:29,700 SHE SAY WHAT IT'S ABOUT? 250 00:12:29,720 --> 00:12:31,190 NO. 251 00:12:31,220 --> 00:12:33,490 WAS SHE RETURNING HIS CALL, OR SHE'S JUST CALLING? 252 00:12:33,520 --> 00:12:36,020 RETURNING. 253 00:12:36,060 --> 00:12:39,660 OH, LOUISE DUNN CALLING BACK. 254 00:12:41,630 --> 00:12:44,370 MRS. DUNN, THANKS FOR CALLING. 255 00:12:44,400 --> 00:12:46,430 LISTEN, YESTERDAY'S STABBING OF THAT ITALIAN KID ‐‐ 256 00:12:46,470 --> 00:12:49,710 DID YOU HAPPEN TO SEE THE PERPETRATOR TAKE A NECKLACE 257 00:12:49,740 --> 00:12:50,770 OFF THE VICTIM? 258 00:12:50,810 --> 00:12:53,880 OKAY. OKAY. 259 00:12:53,910 --> 00:12:56,680 ALL RIGHT. I MAY HAVE TO ARRANGE FOR A FORMAL STATEMENT LATER. 260 00:12:56,720 --> 00:12:58,160 CAN I COUNT ON YOU FOR THAT? 261 00:12:58,180 --> 00:13:00,720 GREAT. ALL RIGHT, I APPRECIATE IT. 262 00:13:00,750 --> 00:13:03,080 YEAH, I'LL BE IN TOUCH. 263 00:13:08,590 --> 00:13:11,460 I'M GOING TO TAKE OFF FOR A WHILE. WHY? 264 00:13:11,500 --> 00:13:13,140 OUR PERP IN YESTERDAY'S STABBING ‐‐ 265 00:13:13,160 --> 00:13:14,900 HE'S GOT A RUNNING BUDDY UP IN RIKERS 266 00:13:14,930 --> 00:13:16,730 TOOK A COUPLE OF BURGLARY COLLARS WITH. 267 00:13:16,770 --> 00:13:19,300 THAT INVESTIGATION'S WITH D. A.'s OFFICE NOW. 268 00:13:19,340 --> 00:13:21,810 IT'S NOT OURS. YEAH, I HEARD. 269 00:13:21,840 --> 00:13:23,910 SO IF YOU GOT INFORMATION, YOU FORWARD IT TO THEM. 270 00:13:23,940 --> 00:13:25,910 ALL RIGHT, THEN, I NEED TO TAKE A VACATION DAY. 271 00:13:25,940 --> 00:13:28,080 I'M NOT LOSING CONTROL OF MY SQUAD, ANDY. 272 00:13:28,110 --> 00:13:30,910 I'LL START SHIPPING PEOPLE OUT BEFORE I LET THAT HAPPEN. 273 00:13:30,950 --> 00:13:33,310 THIS WON'T GET BACK TO YOU. YOU KNOW ME BETTER THAN THAT. 274 00:13:33,350 --> 00:13:36,480 YOU SCREW THIS UP, YOU'RE ON YOUR OWN ‐‐ 275 00:13:36,520 --> 00:13:37,720 YOU AND DANNY. 276 00:13:37,760 --> 00:13:39,600 I'M TRYING TO UNSCREW THIS UP. 277 00:13:39,620 --> 00:13:43,190 VACATION DAY, AND THIS CONVERSATION NEVER HAPPENED. 278 00:13:57,640 --> 00:13:59,540 COME ON, LET'S GO. 279 00:13:59,580 --> 00:14:01,380 LET'S GO. GET UP. 280 00:14:01,410 --> 00:14:04,610 COME ON. GET UP. 281 00:14:04,650 --> 00:14:07,080 THIS IS FOR REAL, MAN? 282 00:14:07,120 --> 00:14:10,450 SO HOW'D YOU GET THE NICKNAME "X"? 283 00:14:10,490 --> 00:14:14,420 A LITTLE APPETITE FOR ECSTASY THERE, PAL? 284 00:14:14,460 --> 00:14:16,630 IT'S SHORT FOR XAVIER. IT'S MY LAST NAME. 285 00:14:16,660 --> 00:14:18,190 OH. 286 00:14:18,230 --> 00:14:20,700 WHAT'S YOUR FIRST NAME? 287 00:14:20,730 --> 00:14:22,630 HOWARD. ANYBODY GOT ANY SMOKES? 288 00:14:22,670 --> 00:14:25,080 LOOKS LIKE YOU HAD A ROUGH NIGHT. 289 00:14:25,100 --> 00:14:27,370 I HAD A GREAT NIGHT. 290 00:14:27,410 --> 00:14:30,450 WAKING UP SUCKED, THOUGH, 'CAUSE I DIDN'T KNIFE THAT DUDE. 291 00:14:30,470 --> 00:14:32,910 YOU MEAN YOU DON'T REMEMBER KNIFING THAT DUDE. 292 00:14:32,940 --> 00:14:34,780 I DIDN'T KNIFE HIM, PERIOD. 293 00:14:34,810 --> 00:14:36,810 WELL, IF YOU DIDN'T DO IT, THEN WHO ‐‐ HOUSEKEEPING? 294 00:14:36,850 --> 00:14:38,910 ASK DIO OR RAVEN. THEY WERE STILL PARTYING 295 00:14:38,950 --> 00:14:40,820 WITH THAT RICH DUDE WHEN I PASSED OUT. 296 00:14:40,850 --> 00:14:42,750 SO, WHAT ARE THESE, FRIENDS OF YOURS ‐‐ 297 00:14:42,790 --> 00:14:46,570 THIS, UH, DIO AND RAVEN? 298 00:14:46,590 --> 00:14:47,620 HEY! 299 00:14:47,660 --> 00:14:49,890 ARE DIO AND RAVEN YOUR FRIENDS? 300 00:14:49,930 --> 00:14:53,630 KINDA. THEY'VE BEEN IN TOWN, LIKE, A WEEK OR SO, I GUESS. 301 00:14:53,670 --> 00:14:55,970 HOW DID ALL OF YOU HOOK UP IN THIS DUDE'S HOTEL ROOM? 302 00:14:56,000 --> 00:14:58,330 WE WERE DRINKING BEER LATE. IT WAS, LIKE, 3:00 A. M. 303 00:14:58,370 --> 00:14:59,940 IN TOMPKINS SQUARE PARK 304 00:14:59,970 --> 00:15:01,840 WHEN THIS RICH DUDE WALKED BY. 305 00:15:01,870 --> 00:15:04,570 HE STARTS TALKING TO US ALL HIP AND EVERYTHING, 306 00:15:04,610 --> 00:15:06,940 TRYING TO BE ALL COOL LIKE HE KNOWS OUR SCENE ‐‐ 307 00:15:06,980 --> 00:15:09,410 ALL RIGHT, ALL RIGHT, ALL RIGHT. THEN WHAT? 308 00:15:09,450 --> 00:15:11,590 THEN HE SAYS HE'S GOT THIS NICE ROOM AT THE HOTEL, 309 00:15:11,620 --> 00:15:13,590 AND IF WE WANT TO COME OVER AND ORDER ROOM SERVICE 310 00:15:13,620 --> 00:15:15,080 AND KEEP PARTYING. 311 00:15:15,120 --> 00:15:16,750 WE'RE LIKE, "SURE." 312 00:15:16,790 --> 00:15:18,150 YOU KNOW DIO AND RAVEN'S REAL NAMES? 313 00:15:18,190 --> 00:15:23,190 RAVEN'S NAME IS, LIKE, TRACY OR SOMETHING. 314 00:15:23,230 --> 00:15:24,970 DIO'S IS DIO. 315 00:15:25,000 --> 00:15:26,540 WHAT HAPPENED WHEN YOU GOT UP TO THE ROOM? 316 00:15:26,570 --> 00:15:28,840 WE LIVED IT UP, MAN. IT WAS AWESOME. 317 00:15:28,870 --> 00:15:32,040 WE HAD STEAKS AND CHAMPAGNE FROM ROOM SERVICE, 318 00:15:32,070 --> 00:15:35,340 FULLY RAIDED THE MINI‐BAR WITH BIG BATH ROBES, 319 00:15:35,370 --> 00:15:37,470 AND THEN I PARKED IT ON THE COUCH, 320 00:15:37,510 --> 00:15:40,310 PUNCHED UP A PORNO ON THE TV, WHICH WAS A TOTAL RIP‐OFF, 321 00:15:40,340 --> 00:15:42,310 BECAUSE THEY DON'T EVEN SHOW ANY REAL ACTION. 322 00:15:42,350 --> 00:15:44,390 AND WHAT WERE DIO AND RAVEN DOING? 323 00:15:44,420 --> 00:15:46,520 THEY WERE GETTING BUSY ON THE BED, 324 00:15:46,550 --> 00:15:48,780 AND THAT RICH GUY WAS SITTING NEARBY, 325 00:15:48,820 --> 00:15:49,820 RUBBING ONE OUT. 326 00:15:49,850 --> 00:15:51,890 "RUBBING ONE OUT"? 327 00:15:51,920 --> 00:15:55,020 YEAH, YOU KNOW... WRESTLING WITH JIMMY. 328 00:15:55,060 --> 00:15:56,220 AND I PASSED OUT. 329 00:15:56,260 --> 00:15:59,190 NEXT THING I KNOW, SOME COP'S FOOT'S IN MY ASS, 330 00:15:59,230 --> 00:16:01,160 AND THAT KNIFE'S IN MY HAND. 331 00:16:01,200 --> 00:16:03,570 I MEAN, WOULDN'T I HAVE BLOOD ON ME? 332 00:16:03,600 --> 00:16:05,970 WHERE'S DIO AND RAVEN, OR ARE YOU GOING TO FIND OUT 333 00:16:06,000 --> 00:16:08,400 HOW BLACK NAIL POLISH GOES WITH AN ORANGE JUMP SUIT? 334 00:16:08,440 --> 00:16:09,470 CHECK THE PARKS. 335 00:16:09,510 --> 00:16:11,220 THEY'RE PANHANDLING IN FRONT OF THE ATMs 336 00:16:11,240 --> 00:16:12,410 IN THE VILLAGE. 337 00:16:12,440 --> 00:16:14,540 I DIDN'T KNIFE THAT DUDE. 338 00:16:28,230 --> 00:16:30,700 HOW'S IT GOING, DARIUS? 339 00:16:30,730 --> 00:16:32,090 IT'S GOING. 340 00:16:32,130 --> 00:16:35,360 FIVE YEARS, HUH? YEP. 341 00:16:35,400 --> 00:16:37,700 THEY'RE SHIPPING YOU UP TO ATTICA NEXT WEEK, I HEAR. 342 00:16:37,740 --> 00:16:39,340 WHAT DO YOU WANT? 343 00:16:39,370 --> 00:16:40,770 I NEED A LITTLE HELP. 344 00:16:40,810 --> 00:16:42,380 I'M NOT A RAT. 345 00:16:42,410 --> 00:16:44,720 LET'S PRETEND YOU'RE BACK ON THE STREET, 346 00:16:44,740 --> 00:16:46,710 AND YOU COME IN TO SOME MERCHANDISE 347 00:16:46,750 --> 00:16:48,520 YOU'RE LOOKING TO OFF IN A HURRY. 348 00:16:48,550 --> 00:16:49,790 WHO'S YOUR MAIN RECEIVER 349 00:16:49,810 --> 00:16:51,950 THAT YOU'D MOST LIKELY DO BUSINESS WITH? 350 00:16:51,980 --> 00:16:54,520 LISTEN, WHY DON'T YOU JUST GET BACK IN YOUR CAR, 351 00:16:54,550 --> 00:16:56,280 TURN ON YOUR LITTLE OLDIES STATION, 352 00:16:56,320 --> 00:16:57,450 AND GET BACK HOME? 353 00:16:57,490 --> 00:17:00,120 I HEAR YOU GOT A WIFE AND A BABY GIRL. 354 00:17:00,160 --> 00:17:02,960 HEY. DON'T TALK ABOUT MY FAMILY, 355 00:17:02,990 --> 00:17:04,130 YOU HEAR ME? 356 00:17:04,160 --> 00:17:05,460 IT'S A 6‐HOUR DRIVE UP TO ATTICA. 357 00:17:05,500 --> 00:17:07,240 HOW MANY TIMES DO YOU THINK YOU'RE GOING TO SEE THEM 358 00:17:07,270 --> 00:17:08,370 IN THE NEXT FIVE YEARS? 359 00:17:08,400 --> 00:17:10,130 SHUT UP ABOUT MY FAMILY, 360 00:17:10,170 --> 00:17:12,900 'CAUSE I DON'T GIVE A DAMN, AND I WILL ‐‐ 361 00:17:12,940 --> 00:17:15,050 IF YOU DID YOUR FIVE YEARS IN COXSACHIE, 362 00:17:15,070 --> 00:17:16,300 THAT'S A 2‐HOUR DRIVE. 363 00:17:16,340 --> 00:17:18,970 PROBABLY SEE THEM A LOT MORE, DON'T YOU THINK? 364 00:17:22,810 --> 00:17:24,650 YEAH. 365 00:17:24,680 --> 00:17:26,820 PROBABLY WOULD SEE THEM A LOT MORE. 366 00:17:26,850 --> 00:17:30,250 WHO WOULD OFF YOUR SWAG TO ‐‐ TOMPKINS SQUARE PARK AREA? 367 00:17:30,290 --> 00:17:32,420 YOU'D GET ME TRANSFERRED TO COXSACHIE? 368 00:17:32,460 --> 00:17:33,770 THAT'S RIGHT. 369 00:17:33,790 --> 00:17:36,120 AND YOU'RE NOT DICKING ME AROUND? NO. 370 00:17:36,160 --> 00:17:37,990 A GUY NAMED CHOPPY. 371 00:17:38,030 --> 00:17:42,230 HE OWNS A BODEGA ON THE CORNER OF 9th AND B. 372 00:17:42,270 --> 00:17:44,110 I GO TO HIM FIRST. 373 00:17:44,140 --> 00:17:47,280 I'LL HAVE THE D. A.'s OFFICE START THE PAPERWORK 374 00:17:47,310 --> 00:17:49,350 ON YOUR TRANSFER, END OF DAY. 375 00:17:49,370 --> 00:17:51,970 HAPPY TRAILS. 376 00:18:04,060 --> 00:18:06,030 THIS X's STORY IS JUST A TAD DIFFERENT 377 00:18:06,060 --> 00:18:08,000 FROM THE VICTIM'S. 378 00:18:08,030 --> 00:18:10,540 YEAH, SO WE'RE GOING BACK DOWN TO BELLEVUE, 379 00:18:10,560 --> 00:18:12,130 CLEAR SOME THINGS UP. 380 00:18:12,160 --> 00:18:13,800 THAT CALL FROM THE HOTEL TO ROCHESTER, MINNESOTA ‐‐ 381 00:18:13,830 --> 00:18:15,860 IT'S THE MOTHER OF AN 18‐YEAR‐OLD 382 00:18:15,900 --> 00:18:17,430 NAMED TRACY WYNANSKI. SHE HIT THE ROAD SIX MONTHS AGO. 383 00:18:17,470 --> 00:18:19,100 TOOK HER MOTHER'S REMARRIAGE HARD. 384 00:18:19,140 --> 00:18:20,850 MOM SAID SHE GOT A MESSAGE LAST NIGHT 385 00:18:20,870 --> 00:18:22,870 SAYING EVERYTHING WAS GREAT. 386 00:18:22,910 --> 00:18:24,550 THIS IDIOT IN THE POKEY SAID THERE WERE TWO OTHERS 387 00:18:24,580 --> 00:18:26,950 IN THE HOTEL ROOM LAST NIGHT ‐‐ 388 00:18:26,980 --> 00:18:28,880 A TEEN MALE AND A TEEN FEMALE NAMED DIO AND RAVEN. 389 00:18:28,910 --> 00:18:31,280 NOW, HE THOUGHT RAVEN'S REAL NAME MIGHT'VE BEEN TRACY. 390 00:18:31,320 --> 00:18:32,720 MOM GOT ANOTHER MESSAGE THIS MORNING. 391 00:18:32,750 --> 00:18:34,680 DAUGHTER WAS CRYING, REALLY UPSET AND WORRIED. 392 00:18:34,720 --> 00:18:36,350 DID THE MOM EVER SPEAK WITH HER? 393 00:18:36,390 --> 00:18:38,000 DAUGHTER DIDN'T LEAVE A NUMBER, 394 00:18:38,020 --> 00:18:40,390 BUT WE HAD MINNESOTA POLICE RUN THE INCOMING CALL. 395 00:18:40,420 --> 00:18:42,460 IT COMES BACK TO AN SRO OVER ON AVENUE C. 396 00:18:42,490 --> 00:18:43,890 WE'RE GOING TO GO LOOK FOR THIS GIRL 397 00:18:43,930 --> 00:18:45,830 WHILE YOU'RE AT BELLEVUE. 398 00:18:49,730 --> 00:18:52,800 IF THIS GIRL'S MOTHER CALLS BACK WITH ANYTHING, 399 00:18:52,840 --> 00:18:54,250 YOU CAN REACH US ON THE RADIO. 400 00:18:54,270 --> 00:18:55,740 I'M ALL OVER IT. 401 00:18:55,770 --> 00:18:57,870 THANKS. 402 00:18:59,610 --> 00:19:02,380 I JUST WANT YOU TO KNOW THAT I DIDN'T RUN MY MOUTH 403 00:19:02,410 --> 00:19:04,880 ABOUT SORENSON HITTING THAT SUSPECT YESTERDAY. 404 00:19:04,920 --> 00:19:06,090 BUT? 405 00:19:06,120 --> 00:19:07,390 WELL, AT THIS TIME, 406 00:19:07,420 --> 00:19:09,150 BASED ON THE ADMISSIBLE EVIDENCE WE HAVE ‐‐ 407 00:19:09,190 --> 00:19:11,260 ARE YOU GOING TO INDICT OUR SUSPECT OR NOT? 408 00:19:11,290 --> 00:19:13,320 NO. THE CHIEF OF DETECTIVES 409 00:19:13,360 --> 00:19:15,270 HAS BEEN PUSHING MY BOSS FOR AN ANSWER, 410 00:19:15,290 --> 00:19:16,590 AND THAT'S THE ONE HE'S GOING TO GET, 411 00:19:16,630 --> 00:19:18,590 BECAUSE WE DON'T HAVE ENOUGH. 412 00:19:18,630 --> 00:19:20,260 HAS THE SUSPECT COME FORWARD, FILED A COMPLAINT? 413 00:19:20,300 --> 00:19:23,260 NO, AND WE HAVEN'T HEARD FROM ANY CIVIL ATTORNEY 414 00:19:23,300 --> 00:19:24,930 ON HIS BEHALF. 415 00:19:24,970 --> 00:19:26,870 LIEUTENANT, I'M NOT GOING TO LIE IF THEY PRESS ME 416 00:19:26,910 --> 00:19:28,350 AS TO WHAT I SAW. 417 00:19:28,370 --> 00:19:30,770 BEST CASE ‐‐ IF THE MEDIA DOESN'T GET AHOLD OF THIS ‐‐ 418 00:19:30,810 --> 00:19:32,240 SORENSON'S LOOKING AT A 10‐DAY RIP. 419 00:19:32,280 --> 00:19:33,280 WORST CASE IS ‐‐ 420 00:19:33,310 --> 00:19:35,580 I KNOW WHAT THE WORST CASE IS. 421 00:19:35,610 --> 00:19:37,110 I JUST WANTED YOU TO KNOW 422 00:19:37,150 --> 00:19:39,110 THAT I DIDN'T GET THE BALL ROLLING. 423 00:19:39,150 --> 00:19:41,950 NO. HE GOT THE BALL ROLLING ALL BY HIMSELF. 424 00:20:03,410 --> 00:20:05,980 SHAKE IT, DON'T BREAK IT, BABY. 425 00:20:06,010 --> 00:20:07,880 YOU CHOPPY? 426 00:20:07,910 --> 00:20:09,440 YEAH. 427 00:20:09,480 --> 00:20:11,080 I'M LOOKING FOR A LITTLE SOMETHING ‐‐ 428 00:20:11,120 --> 00:20:13,160 MAYBE GOT MISPLACED, MAYBE ENDED UP IN YOUR HANDS. 429 00:20:13,180 --> 00:20:14,620 YEAH, WHAT WOULD THAT BE? 430 00:20:14,650 --> 00:20:16,120 A GOLD CRUCIFIX AND CHAIN. 431 00:20:16,150 --> 00:20:19,150 SCRAWNY BLACK KID NAMED SIDNEY ‐‐ BLOND HAIR ‐‐ 432 00:20:19,190 --> 00:20:20,920 HE UNLOADED IT YESTERDAY. 433 00:20:20,960 --> 00:20:23,590 CAN'T HELP YOU THERE, CHIEF. 434 00:20:23,630 --> 00:20:27,900 GOLD CRUCIFIX AND CHAIN. 435 00:20:27,930 --> 00:20:30,900 LISTEN, I AM FRIENDS WITH MIKE DWYER. 436 00:20:30,940 --> 00:20:32,840 HE'S A COP AT 17th PRECINCT, 437 00:20:32,870 --> 00:20:34,940 GAVE ME THIS COURTESY SHIELD. 438 00:20:34,970 --> 00:20:36,670 HE CAN VOUCH FOR ME. 439 00:20:36,710 --> 00:20:38,270 I'M NOT LOOKING TO LOCK YOU UP. 440 00:20:38,310 --> 00:20:40,440 I SENSE I'M KIND OF GETTING A HARD TIME HERE. 441 00:20:40,480 --> 00:20:41,910 A HARD TIME? 442 00:20:41,950 --> 00:20:43,450 YEAH, I DON'T KNOW NOTHING ABOUT IT, 443 00:20:43,480 --> 00:20:45,410 SO MAYBE YOU SHOULD CALL MIKE, AND HE CAN TELL YOU ‐‐ 444 00:20:45,450 --> 00:20:47,020 MAYBE YOU SHOULD SHUT YOUR MOUTH RIGHT NOW 445 00:20:47,050 --> 00:20:48,920 BEFORE I CRAM THIS LITTLE SHIELD DOWN YOUR THROAT. 446 00:20:48,950 --> 00:20:51,090 NOW, I WANT THAT CRUCIFIX AND CHAIN, 447 00:20:51,120 --> 00:20:53,590 AND I KNOW YOU'VE HAD DEALINGS WITH SIDNEY AND DARIUS 448 00:20:53,630 --> 00:20:56,030 IN THE PAST, AND IF YOU DON'T START GETTING COOPERATIVE, 449 00:20:56,060 --> 00:20:58,030 YOUR VERSION OF A "HARD TIME" 450 00:20:58,060 --> 00:21:00,130 IS GOING TO PALE NEXT TO THE REAL THING, 451 00:21:00,160 --> 00:21:02,860 BECAUSE I WILL HAVE THIS DUMP BOARDED UP IN A HALF‐HOUR, 452 00:21:02,900 --> 00:21:05,530 AND I'LL USE YOUR THICK SKULL TO POUND THE NAILS IN. 453 00:21:05,570 --> 00:21:07,340 YOU KNOW, NOW THAT YOU MENTION IT, 454 00:21:07,370 --> 00:21:09,870 SIDNEY CAME TO ME WITH IT. I OFFERED HIM 20 BUCKS. 455 00:21:09,910 --> 00:21:12,040 SAID HE HAD THIS GUY LOUIE WILL GIVE $30. 456 00:21:12,080 --> 00:21:13,620 I SAID, "GOOD FOR YOU. 457 00:21:13,650 --> 00:21:15,550 TAKE THE $30 AND LEAVE ME ALONE." 458 00:21:15,580 --> 00:21:17,610 WHO'S THIS LOUIE? 459 00:21:17,650 --> 00:21:20,020 HAS A HOT DOG CART OVER ON 3rd AND ST. MARX. 460 00:21:20,050 --> 00:21:22,550 SO THESE COUNT FOR NOTHING THEN, I GUESS. 461 00:21:22,590 --> 00:21:24,430 YOU WEARING HANDCUFFS? 462 00:21:42,070 --> 00:21:43,710 HEY, ROSS, WE'RE BACK. 463 00:21:43,740 --> 00:21:46,240 WHAT'S GOING ON? 464 00:21:46,280 --> 00:21:48,390 WE GOT A FEW INCONSISTENCIES WE NEED TO WORK OUT. 465 00:21:48,410 --> 00:21:50,480 YEAH, LIKE WHAT? 466 00:21:50,510 --> 00:21:51,910 WITH THAT SUSPECT ON THE SCENE ‐‐ 467 00:21:51,950 --> 00:21:53,750 HE'S SAYING THAT HIM AND TWO OF HIS FRIENDS 468 00:21:53,790 --> 00:21:55,530 WERE PARTYING WITH YOU IN THE HOTEL ROOM LAST NIGHT, 469 00:21:55,550 --> 00:21:56,650 EARLY THIS MORNING. 470 00:21:56,690 --> 00:21:58,090 WELL, MAYBE HE'S LYING. 471 00:21:58,120 --> 00:22:00,760 OR DO YOU WANT TO TAKE THE WORD OF A CRIMINAL 472 00:22:00,790 --> 00:22:02,760 OVER THAT OF A 5th YEAR ASSOCIATE 473 00:22:02,790 --> 00:22:05,060 AT A BLUE‐CHIP INTELLECTUAL PROPERTY LAW FIRM? 474 00:22:05,100 --> 00:22:06,500 WHICH I AM, IN CASE YOU DIDN'T KNOW. 475 00:22:06,530 --> 00:22:08,760 SO YOU WEREN'T PARTYING WITH THREE PEOPLE? 476 00:22:08,800 --> 00:22:11,600 DETECTIVES, I'VE HAD A VERY BAD WEEK. 477 00:22:11,640 --> 00:22:14,750 I'VE LEARNED MY LESSON ON A COUPLE OF DIFFERENT TOPICS, 478 00:22:14,770 --> 00:22:16,610 SO I DON'T WANT TO PRESS CHARGES, 479 00:22:16,640 --> 00:22:19,440 AND I DON'T WANT TO BE INVOLVED WITH THIS ANY LONGER, 480 00:22:19,480 --> 00:22:21,120 AND I ASK YOU TO RESPECT THAT. 481 00:22:21,150 --> 00:22:23,520 WE'LL KEEP THE DETAILS OF LAST NIGHT CONFIDENTIAL. 482 00:22:23,550 --> 00:22:25,680 DON'T LET YOUR EMBARRASSMENT ABOUT WHAT HAPPENED ‐‐ 483 00:22:25,720 --> 00:22:28,090 HAVE YOU LISTENED TO A WORD THAT I'VE SAID? 484 00:22:28,120 --> 00:22:29,890 'CAUSE HE MAY DO IT AGAIN TO SOMEONE ELSE. 485 00:22:29,920 --> 00:22:32,020 AM I UNDER ARREST? Greg: NO. 486 00:22:32,060 --> 00:22:33,700 AM I UNDER INVESTIGATION? 487 00:22:33,730 --> 00:22:35,030 YOU'RE THE VICTIM. 488 00:22:35,060 --> 00:22:36,930 AM I COMPELLED TO TALK TO YOU? 489 00:22:36,960 --> 00:22:39,130 NO, ROSS, NOT IF YOU DON'T WANT TO. 490 00:22:39,160 --> 00:22:40,900 THAT'S RIGHT. AND I DON'T. 491 00:22:40,930 --> 00:22:43,700 THIS ENTIRE CITY COULD GO UP IN A MUSHROOM CLOUD, 492 00:22:43,740 --> 00:22:44,780 FOR ALL I CARE. 493 00:22:44,800 --> 00:22:46,800 HEY, THANKS FOR YOUR HELP. 494 00:22:46,840 --> 00:22:49,940 IF YOU NEED US, WE'LL BE OUT BUSTING OUR ASS 495 00:22:49,970 --> 00:22:52,510 LOOKING FOR THE GUY WHO STABBED YOU. 496 00:23:07,160 --> 00:23:08,890 YOU LOUIE? 497 00:23:08,930 --> 00:23:10,500 THANKS. 498 00:23:12,430 --> 00:23:14,960 LOUIE, IS IT? YES, SIR. WHAT DO YOU NEED? 499 00:23:15,000 --> 00:23:17,770 THE GOLD NECKLACE AND CRUCIFIX YOU BOUGHT YESTERDAY. 500 00:23:17,800 --> 00:23:20,170 MAYBE TWO YEARS AGO. I'M OUT OF THE SWAG BUSINESS. 501 00:23:20,200 --> 00:23:22,170 STRICTLY HOT DOGS AND PRETZELS THESE DAYS. 502 00:23:22,210 --> 00:23:24,350 SO IF YOU'RE HUNGRY, I'D BE HAPPY TO MAKE YOU ‐‐ 503 00:23:24,380 --> 00:23:26,020 TAKE THOSE SUNGLASSES OFF WHEN YOU'RE TALKING TO ME. 504 00:23:26,040 --> 00:23:28,110 JUST TRYING TO EARN A LIVING, YOU KNOW. 505 00:23:28,150 --> 00:23:30,160 YEAH, EVERYBODY IS. ARE YOU IN LINE? 506 00:23:30,180 --> 00:23:32,350 SOME OTHER TIME, PAL. ALL RIGHT. 507 00:23:32,380 --> 00:23:33,780 NOW, ONE OF TWO THINGS IS GOING TO HAPPEN HERE. 508 00:23:33,820 --> 00:23:35,520 GIVE ME THAT GOLD CRUCIFIX AND CHAIN 509 00:23:35,550 --> 00:23:37,820 THAT YOU BOUGHT OFF SIDNEY FOR 30 BUCKS YESTERDAY 510 00:23:37,860 --> 00:23:40,170 AND CONTINUE ON SELLING YOUR FRANKS, 511 00:23:40,190 --> 00:23:41,490 OR THE COPS ARE GOING TO EAT THEM ALL 512 00:23:41,530 --> 00:23:44,170 WHILE I'M VOUCHING YOUR CART DOWN AT THE STATION HOUSE. 513 00:23:44,200 --> 00:23:46,200 LOUIE, WHAT, ARE YOU LOOKING FOR A COP? 514 00:23:46,230 --> 00:23:48,030 I DID BUY IT YESTERDAY. 515 00:23:48,070 --> 00:23:49,440 WELL, WHAT DO YOU KNOW? 516 00:23:49,470 --> 00:23:50,710 BUT I SOLD IT THIS MORNING. 517 00:23:50,740 --> 00:23:51,840 TO WHO? 518 00:23:51,870 --> 00:23:54,200 THIS GUY HECTOR ‐‐ NEIGHBORHOOD GUY. 519 00:23:54,240 --> 00:23:56,200 HECTOR'S LAST NAME. RODRIGUEZ. 520 00:23:56,240 --> 00:23:58,210 WHERE DOES HE LIVE? 521 00:23:58,240 --> 00:23:59,540 SOMEWHERE UP ON 4th. 522 00:23:59,580 --> 00:24:02,380 YOU REALIZE WHAT'S GOING TO HAPPEN TO YOU 523 00:24:02,410 --> 00:24:04,310 IF THIS IS A RUNAROUND. 524 00:24:04,350 --> 00:24:05,980 [ PRESSES AUTO‐DIAL ] 525 00:24:06,020 --> 00:24:08,530 YEAH, JOHN, IT'S SIPOWICZ. I NEED THE ADDRESS OF, UH, 526 00:24:08,550 --> 00:24:11,120 HECTOR RODRIGUEZ ON 4th AVENUE. 527 00:24:11,160 --> 00:24:14,400 WHY DON'T YOU GIVE ME A POLISH WITH MUSTARD? 528 00:24:14,430 --> 00:24:16,330 NO, NO, NOT YOU. 529 00:24:16,360 --> 00:24:17,560 SAUERKRAUT? 530 00:24:17,600 --> 00:24:19,040 YEAH, WHY NOT? 531 00:24:19,060 --> 00:24:21,230 COMING RIGHT UP. 532 00:24:25,340 --> 00:24:27,410 YOUR MOM'S BEEN CALLING. 533 00:24:27,440 --> 00:24:29,340 WHAT DID YOU TELL HER? 534 00:24:29,370 --> 00:24:31,740 THAT YOU MIGHT BE IN REAL BIG TROUBLE. 535 00:24:31,780 --> 00:24:33,650 BUT I DIDN'T DO ANYTHING. 536 00:24:33,680 --> 00:24:35,340 WERE YOU IN THAT HOTEL ROOM LAST NIGHT 537 00:24:35,380 --> 00:24:36,850 WITH DIO AND "X"? 538 00:24:36,880 --> 00:24:38,980 YEAH, BUT I DIDN'T DO ANYTHING. 539 00:24:39,020 --> 00:24:40,260 WHO DID? I DON'T KNOW. 540 00:24:40,280 --> 00:24:42,520 THEN YOU ARE GOING TO BE IN BIG TROUBLE. 541 00:24:42,550 --> 00:24:43,920 FOR WHAT? FOR LYING. 542 00:24:43,960 --> 00:24:46,160 THERE'S NO WAY I'M GOING TO GO AGAINST DIO. 543 00:24:46,190 --> 00:24:48,820 ALL RIGHT, LOOK, YOU'RE NOT RAVEN, MAIDEN OF DARKNESS. 544 00:24:48,860 --> 00:24:51,190 HE'S NOT DIO, GUARDIAN OF HELL. 545 00:24:51,230 --> 00:24:53,600 YOU'RE TRACY WYNANSKI FROM ROCHESTER, MINNESOTA, 546 00:24:53,630 --> 00:24:56,260 AND YOU'VE BEEN PLAYING DRESS‐UP FOR THE LAST SIX MONTHS ‐‐ 547 00:24:56,300 --> 00:24:57,600 WHAT YOU'RE ENTITLED TO DO ‐‐ 548 00:24:57,640 --> 00:24:59,280 BUT NOW YOU'RE INVOLVED IN A CRIME, 549 00:24:59,300 --> 00:25:01,770 AND IF YOU DON'T GIVE US DIO, YOUR MOM, WHO'S WORRIED SICK, 550 00:25:01,810 --> 00:25:03,920 GETS A PHONE CALL THAT HER DAUGHTER'S BEING CHARGED 551 00:25:03,940 --> 00:25:06,410 WITH ATTEMPTED MURDER, SO WAKE UP. 552 00:25:06,440 --> 00:25:08,410 MY MOM'S REALLY WORRIED ABOUT ME, 553 00:25:08,450 --> 00:25:10,290 OR ARE YOU JUST MAKING THAT UP? 554 00:25:10,310 --> 00:25:11,950 SHE'S BEEN CALLING ALL DAY, 555 00:25:11,980 --> 00:25:14,520 WANTING TO KNOW WHEN SHE CAN COME GET YOU. 556 00:25:14,550 --> 00:25:16,690 SHE'S GOING TO COME GET ME? 557 00:25:16,720 --> 00:25:17,790 SHE SAID THAT? 558 00:25:17,820 --> 00:25:19,960 YEAH. BUT, TRACY, 559 00:25:19,990 --> 00:25:22,990 SHE CAN'T COME GET YOU UNLESS YOU HELP US OUT FIRST. 560 00:25:27,830 --> 00:25:30,370 HIS REAL NAME IS SHANE MORRISSEY, 561 00:25:30,400 --> 00:25:33,800 AND I'M SUPPOSED TO MEET HIM AT THE BUS TERMINAL 562 00:25:33,840 --> 00:25:36,610 ON 8th AVENUE IN ABOUT AN HOUR, OKAY? 563 00:25:36,640 --> 00:25:38,610 WHAT HAPPENED LAST NIGHT? 564 00:25:38,640 --> 00:25:40,210 [ SIGHS ] 565 00:25:40,240 --> 00:25:42,110 WE WERE OUT PARTYING, 566 00:25:42,150 --> 00:25:46,220 AND DIO AND I STARTED, YOU KNOW, FOOLING AROUND, 567 00:25:46,250 --> 00:25:48,250 AND THE GUY WHOSE ROOM IT WAS 568 00:25:48,290 --> 00:25:51,300 ASKED IF HE COULD WATCH, AND DIO SAID, "OKAY." 569 00:25:51,320 --> 00:25:52,990 SO THEN THE GUY WALKED OVER, 570 00:25:53,020 --> 00:25:55,990 AND I FELT HIS HAND ON ME, AND DIO GOT MAD. 571 00:25:56,030 --> 00:25:59,170 AND THE GUY STOPPED, BUT THEN I FELT HIS TONGUE ON ME, 572 00:25:59,200 --> 00:26:01,270 AND DIO GOT REALLY MAD. 573 00:26:01,300 --> 00:26:04,630 AND THEN WE LEFT. 574 00:26:04,670 --> 00:26:05,970 NO. YOU DIDN'T LEAVE. 575 00:26:06,000 --> 00:26:07,900 I DON'T WANT TO SAY ANYTHING ELSE. 576 00:26:07,940 --> 00:26:10,270 YOU'RE GOING TO HAVE TO. OUR SOULS ARE TOGETHER. 577 00:26:10,310 --> 00:26:13,340 YOUR MOM'S NOT GOING TO BE ABLE TO COME GET YOU. 578 00:26:13,380 --> 00:26:14,950 I LOVE HIM. 579 00:26:14,980 --> 00:26:17,450 I SHOULDN'T HAVE TOLD YOU ANYTHING. 580 00:26:30,730 --> 00:26:34,030 SIT HERE. 581 00:26:37,740 --> 00:26:40,110 SUDDEN TRAVEL PLANS, SHANE? 582 00:26:40,140 --> 00:26:41,540 MY NAME IS DIO. 583 00:26:41,570 --> 00:26:43,440 DIO. THAT'S GOOD. 584 00:26:43,470 --> 00:26:46,370 SO, I TAKE IT RAVEN BETRAYED ME. 585 00:26:46,410 --> 00:26:48,540 WE GOT YOUR MUG OFF HOTEL SURVEILLANCE. 586 00:26:48,580 --> 00:26:50,450 A HOP, SKIP, AND A JUMP FROM THERE. 587 00:26:50,480 --> 00:26:53,880 NO, SHE BETRAYED ME. WEAK BITCH. 588 00:26:53,920 --> 00:26:55,680 WELL, WHAT WE GOT SO FAR, DIO, IS, 589 00:26:55,720 --> 00:26:58,050 THE GUY WHOSE ROOM IT WAS MADE A MOVE ON YOUR GIRL. 590 00:26:58,090 --> 00:26:59,720 YOU STABBED HIM IN THE BATHROOM 591 00:26:59,760 --> 00:27:01,720 THEN PUT THE KNIFE IN X's PASSED‐OUT HAND 592 00:27:01,760 --> 00:27:03,020 AND BOOKED WITH RAVEN. 593 00:27:03,060 --> 00:27:04,460 LIES, LIES, LIES. 594 00:27:04,500 --> 00:27:06,570 ALTHOUGH I'M NOT SURPRISED THEY'RE POSERS, 595 00:27:06,600 --> 00:27:08,130 AND I CAN'T DEAL WITH THEM ANYMORE. 596 00:27:08,170 --> 00:27:10,080 EITHER YOU'RE ABOUT SOMETHING OR YOU'RE NOT. 597 00:27:10,100 --> 00:27:11,300 AND WHAT ARE YOU ABOUT, DIO? 598 00:27:11,340 --> 00:27:12,580 THE NEXT LEVEL. 599 00:27:12,600 --> 00:27:14,740 YEAH? YOU GET THERE 600 00:27:14,770 --> 00:27:17,410 BY STABBING THAT GUY LAST NIGHT 601 00:27:17,440 --> 00:27:20,580 IN THE HOTEL BATHROOM? 602 00:27:20,610 --> 00:27:22,310 IF I THOUGHT THAT 603 00:27:22,350 --> 00:27:25,490 YOU COULD COMPREHEND THE MAGNITUDE, 604 00:27:25,520 --> 00:27:27,430 I'D BOTHER TO TELL YOU. 605 00:27:27,450 --> 00:27:28,850 TRY US. 606 00:27:28,890 --> 00:27:30,700 YOU GOT "X" AND RAVEN. TRY THEM. 607 00:27:30,720 --> 00:27:36,290 OR HAVE YOU ALREADY, AND YOU DIDN'T END UP WITH DICK? 608 00:27:54,780 --> 00:27:55,840 YEAH. 609 00:27:55,880 --> 00:27:57,910 YOU, UH, HECTOR RODRIGUEZ? 610 00:27:57,950 --> 00:27:59,110 THAT'S RIGHT. 611 00:27:59,150 --> 00:28:00,420 DETECTIVE SIPOWICZ. 612 00:28:00,450 --> 00:28:01,780 WHAT HAPPENED? 613 00:28:01,820 --> 00:28:04,120 I NEED THAT GOLD CRUCIFIX AND CHAIN 614 00:28:04,160 --> 00:28:05,730 YOU BOUGHT OFF LOUIE THIS MORNING. 615 00:28:05,760 --> 00:28:07,570 IT WAS STOLEN. 616 00:28:07,590 --> 00:28:09,760 IT DON'T BELONG TO YOU, AND IT DIDN'T BELONG TO LOUIE. 617 00:28:09,790 --> 00:28:11,060 I DIDN'T KNOW. 618 00:28:11,100 --> 00:28:12,100 YEAH, 'CAUSE MOST JEWELRY BOUGHT OFF HOT DOG CARTS 619 00:28:12,130 --> 00:28:13,290 IS ON THE UP‐AND‐UP, RIGHT? 620 00:28:13,330 --> 00:28:14,930 I ASKED LOUIE, AND HE SAID ‐‐ 621 00:28:14,970 --> 00:28:17,810 I DON'T CARE WHAT LOUIE SAID. I'M SAYING THE NECKLACE IS HOT, 622 00:28:17,840 --> 00:28:20,450 AND UNLESS YOU WANT TO GET CHARGED WITH RECEIVING 623 00:28:20,470 --> 00:28:22,240 STOLEN MERCHANDISE, YOU'D BETTER PRODUCE IT. 624 00:28:22,270 --> 00:28:23,640 AND THE 60 BUCKS I PAID FOR IT? 625 00:28:23,680 --> 00:28:26,280 WORK IT OUT WITH LOUIE. 626 00:28:26,310 --> 00:28:28,440 NOW. 627 00:28:28,480 --> 00:28:30,780 ELENA. 628 00:28:30,820 --> 00:28:31,890 WHAT? 629 00:28:31,920 --> 00:28:34,290 COME HERE, PLEASE. 630 00:28:34,320 --> 00:28:35,620 YES? 631 00:28:35,650 --> 00:28:38,450 GIVE ME THE NECKLACE, PLEASE. WHY? 632 00:28:38,490 --> 00:28:42,160 JUST GIVE IT TO ME. I'LL EXPLAIN LATER. 633 00:28:44,200 --> 00:28:46,840 THERE. 634 00:28:49,200 --> 00:28:52,970 THERE, UH, WAS A MIX‐UP DOWN AT THE STORE 635 00:28:53,000 --> 00:28:55,340 WHERE YOUR DAD BOUGHT THIS. 636 00:28:55,370 --> 00:28:57,410 THE OWNER IS VERY SORRY. 637 00:28:57,440 --> 00:28:59,410 HE ASKED ME TO REFUND THE MONEY, 638 00:28:59,440 --> 00:29:01,980 SO YOUR DAD COULD GET YOU ANOTHER ONE. 639 00:29:02,010 --> 00:29:03,610 I'LL WORK IT OUT WITH THE OWNER LATER. 640 00:29:03,650 --> 00:29:05,810 TAKE THIS. HE INSISTS. 641 00:29:07,850 --> 00:29:09,720 THANK YOU. 642 00:29:34,080 --> 00:29:35,540 AND WHAT'S YOUR NAME? 643 00:29:35,580 --> 00:29:37,810 DETECTIVE McDOWELL. 644 00:29:40,050 --> 00:29:43,720 I MEAN YOUR FIRST NAME. 645 00:29:43,760 --> 00:29:47,500 CONNIE. HAVE A SEAT, DIO. 646 00:29:48,730 --> 00:29:50,500 WHY, THANK YOU. 647 00:29:54,500 --> 00:29:55,830 HOW LONG HAVE YOU KNOWN "X" AND RAVEN? 648 00:29:55,870 --> 00:29:57,080 TOO LONG. 649 00:29:57,100 --> 00:30:00,900 YOU SEE, FOR SOME REASON PEOPLE ARE DRAWN TO ME, 650 00:30:00,940 --> 00:30:02,840 AND IT'S HARD TO SHAKE THEM. 651 00:30:02,870 --> 00:30:05,070 I'M SORRY, DOES THAT SOUND CONCEITED? 652 00:30:05,110 --> 00:30:06,680 KIND OF, YEAH. 653 00:30:06,710 --> 00:30:09,310 I'M JUST TRYING TO BE HONEST HERE, CONNIE. 654 00:30:09,350 --> 00:30:11,160 GOOD. LET'S KEEP THAT UP. 655 00:30:11,180 --> 00:30:12,450 LET'S DO. 656 00:30:15,120 --> 00:30:17,390 Connie: WHERE DID YOU MEET RAVEN? 657 00:30:17,420 --> 00:30:20,220 PHILADELPHIA. SHE WAS LOST. 658 00:30:20,260 --> 00:30:22,590 I PITIED HER, TOOK HER UNDER MY WING. 659 00:30:22,630 --> 00:30:24,940 AND YOU BECAME BOYFRIEND‐GIRLFRIEND? 660 00:30:24,960 --> 00:30:27,100 PLEASE. I WAS HER MENTOR. 661 00:30:27,130 --> 00:30:28,260 YEAH? WHAT'D YOU TEACH HER? 662 00:30:28,300 --> 00:30:29,930 I TRIED TO TEACH HER HOW TO LIVE LIFE, 663 00:30:29,970 --> 00:30:32,870 THE REAL LIFE, NOT THE ONE ALL THE DRONES DANCE TO, 664 00:30:32,900 --> 00:30:35,100 BUT SHE TURNED OUT TO BE A DRONE, TOO. 665 00:30:35,140 --> 00:30:38,770 I'VE BEEN TRYING TO FIGURE A WAY TO GIVE HER THE BOOT, 666 00:30:38,810 --> 00:30:41,380 BUT, LIKE I SAID, THEY'RE HARD TO SHAKE. 667 00:30:41,410 --> 00:30:43,850 WHEN DID YOU TWO PULL IN TO NEW YORK? 668 00:30:43,880 --> 00:30:45,910 YOU KNOW WHAT THE PROBLEM WAS? 669 00:30:45,950 --> 00:30:47,520 THE SEX... 670 00:30:47,550 --> 00:30:50,120 SO UNIMAGINATIVE. 671 00:30:50,150 --> 00:30:52,950 I MEAN, I COULD MAKE HER DO ANYTHING. 672 00:30:52,990 --> 00:30:54,960 AND WHAT FUN IS THAT? 673 00:30:54,990 --> 00:30:57,930 THE OTHER PERSON NEEDS TO CRAVE IT. 674 00:30:57,960 --> 00:31:01,300 HAVE YOU EVER CRAVED IT, CONNIE? 675 00:31:01,330 --> 00:31:03,130 I'M NOT GOING TO ANSWER THAT. 676 00:31:03,170 --> 00:31:06,650 I THINK YOU JUST DID. 677 00:31:06,670 --> 00:31:08,640 WHAT WERE YOU DOING IN THAT HOTEL ROOM 678 00:31:08,670 --> 00:31:10,810 LAST NIGHT, DIO? 679 00:31:10,840 --> 00:31:15,410 TAKING RAVEN, BUT I WAS THINKING ABOUT YOU. 680 00:31:16,920 --> 00:31:20,430 YOU NEVER QUIT WITH YOUR LINE OF CRAP, DO YOU? 681 00:31:20,450 --> 00:31:21,820 [ TURNS OFF SPEAKER ] 682 00:31:21,850 --> 00:31:25,320 YOU'RE GOING TO GO TO JAIL FOR THIS ASSHOLE? 683 00:31:25,360 --> 00:31:30,770 HE STABBED THAT GUY LAST NIGHT. 684 00:31:30,800 --> 00:31:34,740 I SAW IT. 685 00:31:34,770 --> 00:31:39,510 COME ON. LET'S GO WRITE THIS UP. 686 00:31:50,950 --> 00:31:54,950 GIVE ME SOME. COME ON, MAN. 687 00:31:54,990 --> 00:31:59,000 HOW'S IT GOING, SIDNEY? 688 00:31:59,020 --> 00:31:59,990 WHASSUP? 689 00:32:00,020 --> 00:32:01,460 COME ON, WE GOT TO GO TALK. 690 00:32:01,490 --> 00:32:02,620 ABOUT WHAT? 691 00:32:02,660 --> 00:32:03,690 I'LL TELL YOU WHEN WE GET THERE. 692 00:32:03,730 --> 00:32:05,530 OH, YOU ONE OF THEM COPS 693 00:32:05,560 --> 00:32:07,930 FROM THE 15th PRECINCT YESTERDAY. 694 00:32:07,970 --> 00:32:09,980 THAT'S RIGHT. 695 00:32:10,000 --> 00:32:12,800 ONE OF YOUR BOYS BEAT ON MY ASS YESTERDAY. 696 00:32:12,840 --> 00:32:14,280 COME ON, SIDNEY, LET'S GO. 697 00:32:14,310 --> 00:32:17,350 NAH, I DON'T THINK SO. 698 00:32:17,380 --> 00:32:19,180 'CAUSE, SEE, UH, I'M STILL DECIDING 699 00:32:19,210 --> 00:32:22,780 WHETHER OR NOT TO GET A LAWYER AND SUE YOUR ASS. 700 00:32:22,810 --> 00:32:24,180 [ MEN CHUCKLE ] 701 00:32:24,220 --> 00:32:25,360 YEAH, WELL, 702 00:32:25,380 --> 00:32:27,850 THAT'S A CONVERSATION FOR ANOTHER TIME. 703 00:32:27,890 --> 00:32:30,700 HEY, MAN, LET ME HAVE A DRINK, BROTHER. 704 00:32:30,720 --> 00:32:34,020 ALL RIGHT. PUT THE BOTTLE DOWN, AND LET'S GO. 705 00:32:34,060 --> 00:32:36,690 DON'T YOU TELL ME WHAT TO DO, OLD MAN. 706 00:32:36,730 --> 00:32:39,700 I COME DOWN THERE AND KICK YOUR ASS. 707 00:32:39,730 --> 00:32:43,900 [ MEN LAUGHING ] 708 00:32:52,940 --> 00:32:54,240 LET'S GO. 709 00:32:54,280 --> 00:32:55,910 SAY YOU'RE SORRY FIRST. 710 00:32:55,950 --> 00:32:59,060 SAY YOU'RE SORRY FOR YOUR BOY WHO HIT ME, 711 00:32:59,080 --> 00:33:00,350 OR I AIN'T COMING. 712 00:33:00,380 --> 00:33:01,750 WE'RE ALL VERY SORRY 713 00:33:01,790 --> 00:33:04,100 FOR WHAT HAPPENED TO YOU YESTERDAY. 714 00:33:04,120 --> 00:33:07,760 THAT'S BETTER. 715 00:33:07,790 --> 00:33:09,390 COME ON. 716 00:33:09,430 --> 00:33:12,100 HERE YOU GO, BRO. 717 00:33:12,130 --> 00:33:15,930 EXCUSE ME, I'VE GOT SOME BUSINESS TO TAKE CARE OF. 718 00:33:15,970 --> 00:33:19,950 SEE, THAT'S HOW YOU DO THAT. THAT'S HOW YOU HANDLE IT. 719 00:33:19,970 --> 00:33:22,270 ALL RIGHT, Y'ALL, I'LL BE BACK. 720 00:33:22,310 --> 00:33:23,510 ME AND MY DRIVER, 721 00:33:23,540 --> 00:33:25,770 WE GOT TO GO HANDLE SOME BUSINESS. 722 00:33:25,810 --> 00:33:28,040 ALL RIGHT. ALL RIGHT. ALL RIGHT. 723 00:33:28,080 --> 00:33:32,080 HOME, JEEVES. 724 00:33:42,830 --> 00:33:44,270 WHERE'S CONNIE? 725 00:33:44,300 --> 00:33:45,700 YOU GOT US NOW. 726 00:33:45,730 --> 00:33:46,760 SHE SAID 727 00:33:46,800 --> 00:33:49,870 THAT SHE WAS GOING TO GET ME A DRINK. 728 00:33:49,900 --> 00:33:51,130 CONNIE CHANGED HER MIND. 729 00:33:51,170 --> 00:33:52,530 WELL, I'M ONLY TALKING TO CONNIE. 730 00:33:52,570 --> 00:33:55,640 YOUR EX‐GIRLFRIEND GAVE YOU UP, DIO. 731 00:33:55,670 --> 00:33:57,110 OH, YEAH, HOW DO YOU KNOW 732 00:33:57,140 --> 00:33:59,140 IT WASN'T HER WHO KILLED THAT GUY? 733 00:33:59,180 --> 00:34:00,990 THAT'S THE STORY YOU'RE GOING TO PIN ON YOUR GIRL? 734 00:34:01,010 --> 00:34:03,810 I LEFT. I DON'T KNOW WHAT HAPPENED. 735 00:34:03,850 --> 00:34:05,750 SO, IF IT FALLS ON RAVEN, IT FALLS ON RAVEN. 736 00:34:05,780 --> 00:34:07,150 RIGHT, DIO? 737 00:34:07,190 --> 00:34:10,760 I ANSWER TO A HIGHER POWER, AND MY FAITH CANNOT BE BROKEN. 738 00:34:10,790 --> 00:34:12,920 EVERYBODY ELSE IS DISPOSABLE. 739 00:34:12,960 --> 00:34:15,830 WELL, THANK GOD YOU GOT A BIG MOUTH. 740 00:34:15,860 --> 00:34:18,830 HELP YOURSELF OUT AND TELL US YOUR VERSION, OR DON'T. 741 00:34:18,860 --> 00:34:19,930 YOU'RE GOING UP EITHER WAY. 742 00:34:19,960 --> 00:34:21,930 IT'S LUCKY FOR YOU THAT RICH GUY LIVED. 743 00:34:21,970 --> 00:34:23,780 HE JUST GOT UPGRADED TO STABLE 744 00:34:23,800 --> 00:34:25,000 ABOUT HALF AN HOUR AGO. 745 00:34:25,040 --> 00:34:26,580 THAT SHAVES OFF 20 YEARS FOR YOU. 746 00:34:26,610 --> 00:34:28,680 TIME MEANS NOTHING TO ME. 747 00:34:28,710 --> 00:34:31,520 IT'S A HARNESS THAT YOU DRONES HAVE ACCEPTED, 748 00:34:31,540 --> 00:34:34,110 WHICH HAS KEPT YOU IN BONDAGE, SO THAT ‐‐ 749 00:34:34,150 --> 00:34:36,290 JUST WRITE DOWN WHAT HAPPENED AND SAVE 750 00:34:36,310 --> 00:34:38,810 THE DUNGEONS AND DRAGONS ACT FOR YOUR PEN PALS. 751 00:34:38,850 --> 00:34:42,650 I HAVE A MESSAGE FOR YOU. 752 00:34:44,160 --> 00:34:49,500 [ SPEAKING IN TONGUES ] 753 00:34:50,860 --> 00:34:52,090 [ GASPS ] 754 00:34:52,130 --> 00:34:54,860 DON'T DO THAT AGAIN, 755 00:34:54,900 --> 00:34:57,030 OR I'LL PUT YOUR FAITH TO THE TEST IN A BIG HURRY. 756 00:34:57,070 --> 00:34:58,270 UNDERSTAND? 757 00:34:58,300 --> 00:35:00,200 [ COUGHS ] 758 00:35:00,240 --> 00:35:03,340 WRITE. 759 00:35:12,420 --> 00:35:14,830 GREG AND BALDWIN STILL TAKING DIO'S STATEMENT? 760 00:35:14,850 --> 00:35:16,950 EASE IT UP, PAL. SHUT UP. 761 00:35:16,990 --> 00:35:18,620 Andy: WHAT'S OPEN? 762 00:35:18,660 --> 00:35:20,230 INTERVIEW 3. 763 00:35:20,260 --> 00:35:22,120 ANDY. 764 00:35:22,160 --> 00:35:25,690 JOSH, TAKE HIM OVER THERE. 765 00:35:31,940 --> 00:35:34,410 WE GOT SOMETHING NEW TO GO AT HIM WITH. 766 00:35:34,440 --> 00:35:36,740 AND THIS ISN'T GOING TO COME BACK TO ME? 767 00:35:36,780 --> 00:35:38,920 I FIGURED I'D EARNED ENOUGH POINTS IN 22 YEARS 768 00:35:38,940 --> 00:35:42,080 TO GO AT THIS GUY IF I FELT I HAD SOMETHING. 769 00:35:42,110 --> 00:35:44,080 I TOLD YOU PRESENT ANY NEW EVIDENCE 770 00:35:44,120 --> 00:35:46,060 TO THE D. A.'s OFFICE ‐‐ IT'S THEIR CASE NOW. 771 00:35:46,080 --> 00:35:48,480 THEN CALL THEM, BUT LET ME GO AT THIS GUY 772 00:35:48,520 --> 00:35:49,750 UNTIL THEY GET HERE. 773 00:35:49,790 --> 00:35:51,420 YEAH, I AM CALLING THEM, 774 00:35:51,460 --> 00:35:53,830 AND MY STORY'S GOING TO BE STRAIGHT. 775 00:35:53,860 --> 00:35:55,260 THE IRON'S HOT, LIEUTENANT. 776 00:35:55,290 --> 00:35:56,420 YEAH, GO NUTS. 777 00:35:56,460 --> 00:36:00,630 AND JOSH STAYS IN THE ROOM AS A WITNESS. 778 00:36:04,770 --> 00:36:07,500 DO YOU AND ME NEED TO HAVE A CONVERSATION 779 00:36:07,540 --> 00:36:10,070 ABOUT HOW WHAT HAPPENS IN A SQUAD STAYS IN A SQUAD? 780 00:36:10,110 --> 00:36:11,210 NO, SIR. 781 00:36:19,980 --> 00:36:22,720 NO, WHY DON'T YOU STICK AROUND? 782 00:36:26,420 --> 00:36:30,530 WHAT, YOU GOING TO HIT ME SOME MORE? 783 00:36:30,560 --> 00:36:32,530 IF I WAS GOING TO HIT YOU, 784 00:36:32,560 --> 00:36:34,460 IT WOULD'VE BEEN BACK ON THAT STOOP. 785 00:36:34,500 --> 00:36:36,930 MAYBE YOU'RE GOING TO DO SOME OF YOUR PERVERT THINGS. 786 00:36:36,970 --> 00:36:38,200 YOU PROBABLY LIKE THAT, HUH? 787 00:36:38,240 --> 00:36:40,380 YOU BELIEVE IN GOD, SIDNEY? 788 00:36:40,400 --> 00:36:42,240 WHY, YOU A PRIEST? 789 00:36:42,270 --> 00:36:43,970 I'M ASKING YOU, DO YOU BELIEVE IN GOD? 790 00:36:44,010 --> 00:36:45,310 SOMETIMES. 791 00:36:45,340 --> 00:36:46,810 I HEAR YOU. 792 00:36:46,850 --> 00:36:50,090 SOMETIMES HE'S THERE, SOMETIMES HE AIN'T. 793 00:36:50,110 --> 00:36:51,980 THAT'S RIGHT. 794 00:36:52,020 --> 00:36:54,930 YESTERDAY, WHAT WITH YOU STABBING GIOVANNI TO DEATH, 795 00:36:54,950 --> 00:36:56,550 AND THEN ADMITTING YOU DID IT, 796 00:36:56,590 --> 00:36:58,750 AND US MAKING A MISTAKE, BEATING ON YOU, 797 00:36:58,790 --> 00:37:01,590 RUINING YOUR CONFESSION, AND YOU WALKING BECAUSE OF IT, 798 00:37:01,630 --> 00:37:03,600 I FIGURED IT WAS ONE OF THEM SOMETIMES 799 00:37:03,630 --> 00:37:06,160 THAT GOD MUST'VE BEEN BUSY SOMEWHERES ELSE. 800 00:37:06,200 --> 00:37:08,070 I AIN'T KILL THAT GUY, 801 00:37:08,100 --> 00:37:10,330 THAT'S WHY GOD WAS BUSY SOMEWHERES ELSE. 802 00:37:10,370 --> 00:37:13,400 BUT TODAY I FOUND OUT GOD'S LOOKING RIGHT DOWN 803 00:37:13,440 --> 00:37:14,410 ON TOP OF US. 804 00:37:14,440 --> 00:37:19,940 HE IS, HUH? WELL, I DON'T SEE HIM. 805 00:37:19,980 --> 00:37:23,180 IS THAT HIM? HA HA HA! 806 00:37:23,210 --> 00:37:25,680 YOU KNOW WHAT YOU DID THAT FORCED HIM 807 00:37:25,720 --> 00:37:28,630 TO FINALLY STEP IN AND MAKE YOU ACCOUNTABLE, SIDNEY? 808 00:37:28,650 --> 00:37:30,620 TELL ME. 809 00:37:34,730 --> 00:37:37,970 WHEN YOU RIPPED THIS CROSS OFF GIOVANNI'S NECK ‐‐ 810 00:37:38,000 --> 00:37:40,440 WITH HIS INITIALS ENGRAVED ON THE BACK 811 00:37:40,460 --> 00:37:42,960 FROM WHEN HE GOT IT ON HIS FIRST COMMUNION, 812 00:37:43,000 --> 00:37:44,970 AND THEN SOLD IT FOR 30 BUCKS, 813 00:37:45,000 --> 00:37:47,470 THAT'S WHEN GOD DECIDED HE'D HAD ENOUGH. 814 00:37:47,510 --> 00:37:49,380 AND THEN HE PUT IT ALL INTO MOTION. 815 00:37:49,410 --> 00:37:51,880 WE GOT A WITNESS WHO SAW YOU TAKE THIS OFF GIOVANNI. 816 00:37:51,910 --> 00:37:55,040 WE GOT THE GUY YOU OFFED IT TO AN HOUR LATER. 817 00:37:55,080 --> 00:37:57,010 YESTERDAY WHAT HAPPENED IN THAT ROOM, 818 00:37:57,050 --> 00:37:59,850 THAT DON'T MAKE ANY DIFFERENCE ANYMORE. 819 00:37:59,880 --> 00:38:02,380 THIS ‐‐ THIS IS ALL WE NEED, SIDNEY. 820 00:38:02,420 --> 00:38:03,690 WHAT HAPPENED IN THAT ROOM 821 00:38:03,720 --> 00:38:05,220 SURE AS HELL DOES MAKE A DIFFERENCE, 822 00:38:05,260 --> 00:38:06,400 AND YOU KNOW IT. 823 00:38:06,420 --> 00:38:08,020 YOU GETTING KNOCKED AROUND A LITTLE BIT 824 00:38:08,060 --> 00:38:09,890 WAS THE BEST THING COULD'VE HAPPENED TO YOU, 825 00:38:09,930 --> 00:38:11,790 BECAUSE, IN EXCHANGE FOR FORGETTING, 826 00:38:11,830 --> 00:38:13,230 YOU TOOK THOSE SMACKS. 827 00:38:13,260 --> 00:38:16,670 I'M GOING TO HAVE YOU PUT IN ADMINISTRATIVE SEGREGATION, 828 00:38:16,700 --> 00:38:19,070 WHICH IS THE ONLY PLACE YOU'LL BE SAFE 829 00:38:19,100 --> 00:38:21,870 FROM HAVING TO DO ALL THOSE PERVERT THINGS 830 00:38:21,910 --> 00:38:23,380 YOU'RE SO WORRIED ABOUT. 831 00:38:23,410 --> 00:38:26,890 OR YOU CAN TRY YOUR 5'6", 120‐POUND LUCK 832 00:38:26,910 --> 00:38:28,810 IN GENERAL POPULATION, 833 00:38:28,850 --> 00:38:33,390 BECAUSE YOU'RE GOING TO JAIL, NO MATTER WHAT. 834 00:38:40,960 --> 00:38:44,160 ALL RIGHT, THEN, STAND UP, SIDNEY. 835 00:38:44,200 --> 00:38:46,170 YOU KNOW WHAT'S WEIRD? 836 00:38:46,200 --> 00:38:47,340 WHAT? 837 00:38:47,370 --> 00:38:50,610 I HAD A CROSS ONCE LOOKED JUST LIKE THIS. 838 00:38:50,640 --> 00:38:52,340 MY MOMS GAVE IT TO ME, 839 00:38:52,370 --> 00:38:56,100 BUT IT GOT STOLE FROM ME, TOO. 840 00:38:56,140 --> 00:38:59,140 I JUST NOW REMEMBERED THAT. 841 00:39:05,480 --> 00:39:07,280 WHAT HAPPENED YESTERDAY? 842 00:39:07,320 --> 00:39:09,220 HE LAUGHED AT ME. 843 00:39:09,250 --> 00:39:12,750 HE PUSHED ME DOWN AND SLAPPED ME, 844 00:39:12,790 --> 00:39:15,060 LIKE YOU SLAP A BITCH. 845 00:39:15,090 --> 00:39:16,360 AND I WAS JUST SITTING THERE 846 00:39:16,390 --> 00:39:17,790 TILL WE GOT TO THE NEXT STOP, 847 00:39:17,830 --> 00:39:22,430 AND I LOOKED OVER AT HIM, AND HE WAS LAUGHING. 848 00:39:22,470 --> 00:39:26,180 [ Whispering ] AND I'M TIRED OF PEOPLE LAUGHING AT ME. 849 00:39:32,280 --> 00:39:33,450 YOU CAN TAKE OFF. 850 00:39:33,480 --> 00:39:35,220 DO YOU NEED ME TOMORROW OR ‐‐ 851 00:39:35,250 --> 00:39:36,920 WELL, THAT'S THE BOROUGH'S CALL. 852 00:39:36,950 --> 00:39:37,950 GOT IT. 853 00:39:37,980 --> 00:39:40,780 YEAH. THANKS FOR YOUR HELP. 854 00:39:45,920 --> 00:39:48,520 IT WAS GOOD WORKING WITH YOU. 855 00:39:50,530 --> 00:39:51,690 SEE YOU AROUND. 856 00:39:55,030 --> 00:39:56,730 SEEMS NICE ENOUGH. 857 00:39:56,770 --> 00:39:58,500 YEAH. SHE'S A GOOD COP. 858 00:39:58,540 --> 00:40:00,080 HE WENT. 859 00:40:00,100 --> 00:40:02,340 THAT'S THE NECKLACE HE STOLE OFF THE DOA. 860 00:40:02,370 --> 00:40:04,570 I GOT A WITNESS SAW HIM TAKE IT, 861 00:40:04,610 --> 00:40:06,170 AND THE GUY HE SOLD IT TO. 862 00:40:06,210 --> 00:40:08,780 AND HE'S COME OFF THAT TUNE‐UP FROM YESTERDAY. 863 00:40:08,810 --> 00:40:10,280 IN EXCHANGE FOR WHAT? 864 00:40:10,310 --> 00:40:13,010 ADMINISTRATIVE SEGREGATION WHILE HE'S IN PRISON. 865 00:40:13,050 --> 00:40:15,780 THE D. A.'s GOING TO TAKE HIS STATEMENT IN THE MORNING. 866 00:40:15,820 --> 00:40:18,420 YOU WANT ME TO STAY AND TYPE OUT THE FIVES TONIGHT? 867 00:40:18,460 --> 00:40:20,730 DO WHAT YOU WANT. 868 00:40:30,230 --> 00:40:32,170 THAT'S HUGE FOR YOU, DANNY. 869 00:40:32,200 --> 00:40:34,100 YEAH, IT IS. 870 00:40:34,140 --> 00:40:35,870 HUGE. 871 00:40:35,910 --> 00:40:38,420 [ SIGHS ] 872 00:40:42,850 --> 00:40:44,860 [ BEEPING ] 873 00:40:49,390 --> 00:40:52,400 [ KNOCK ON DOOR ] 874 00:41:03,030 --> 00:41:04,400 [ SIGHS ] 875 00:41:08,870 --> 00:41:09,910 HEY. 876 00:41:09,940 --> 00:41:11,410 THEO'S SLEEPING. 877 00:41:11,440 --> 00:41:13,910 TWO THINGS REAL QUICK. 878 00:41:13,950 --> 00:41:15,320 YEAH. 879 00:41:15,350 --> 00:41:17,160 THANKS FOR SAVING MY ASS. 880 00:41:17,180 --> 00:41:18,380 OKAY. 881 00:41:18,420 --> 00:41:20,690 SECOND THING, I PULLED MY HEAD OUT, 882 00:41:20,720 --> 00:41:23,150 AND I'M BACK ‐‐ I MEAN, STARTING RIGHT NOW. 883 00:41:23,190 --> 00:41:25,260 AND IF I MAKE IT THROUGH THIS JACKPOT, 884 00:41:25,290 --> 00:41:26,720 I'M GOING TO SHOW YOU, 885 00:41:26,760 --> 00:41:29,090 BUT IF YOU'VE ALREADY LOST CONFIDENCE IN ME ‐‐ 886 00:41:29,130 --> 00:41:31,240 AS A PARTNER, AS A COP ‐‐ 887 00:41:31,260 --> 00:41:33,730 AND IF YOU THINK WE'RE PAST THE POINT OF SAVING IT, 888 00:41:33,770 --> 00:41:36,240 AND IF YOU WANT TO PUT IN FOR A NEW PARTNER, 889 00:41:36,270 --> 00:41:38,180 I'LL UNDERSTAND, I'LL TAKE THAT HIT, 890 00:41:38,200 --> 00:41:41,400 BECAUSE I CAN'T SAY I DON'T HAVE IT COMING. 891 00:41:41,440 --> 00:41:43,400 BUT I SWEAR TO YOU, 892 00:41:43,440 --> 00:41:45,810 JUST GIVE ME ANOTHER CHANCE. 893 00:41:48,950 --> 00:41:51,360 TELL YOU ONE THING FOR DAMN SURE ‐‐ 894 00:41:51,380 --> 00:41:53,250 I'M DONE TALKING ABOUT IT. 895 00:41:53,280 --> 00:41:55,120 I TRIED A COUPLE OF TIMES, 896 00:41:55,150 --> 00:41:57,890 BUT OBVIOUSLY, IT WENT IN ONE EAR AND OUT THE OTHER. 897 00:41:57,920 --> 00:41:59,450 ANDY, THE LAST FEW WEEKS ‐‐ 898 00:41:59,490 --> 00:42:01,620 LISTEN, YOU COVERED FOR ME WHEN I HAD TO DROP OUT 899 00:42:01,660 --> 00:42:03,360 BECAUSE THEO WAS SICK, BUT DROPPING OUT 900 00:42:03,390 --> 00:42:05,390 AND BLOWING CASES AND DAMN NEAR BLOWING CAREERS 901 00:42:05,430 --> 00:42:07,060 BECAUSE YOU'RE PISSED OFF AT THE WORLD 902 00:42:07,100 --> 00:42:08,130 ARE TWO DIFFERENT THINGS. 903 00:42:08,170 --> 00:42:09,980 ABSOLUTELY. 904 00:42:10,000 --> 00:42:11,900 TOMORROW, WE START FRESH, 905 00:42:11,940 --> 00:42:14,810 AND IF YOU SHOW ME YOU GOT IT BACK TOGETHER, 906 00:42:14,840 --> 00:42:16,810 WE'LL CHALK IT UP AS A BUMP IN THE ROAD 907 00:42:16,840 --> 00:42:18,870 AND MOVE ON, BUT I'M DONE TALKING ABOUT IT 908 00:42:18,910 --> 00:42:20,640 AND I'M DONE TRYING TO CONVINCE YOU THAT, 909 00:42:20,680 --> 00:42:21,810 WHATEVER YOU WENT THROUGH, 910 00:42:21,850 --> 00:42:23,790 PEOPLE HAVE BEEN THROUGH A HELL OF A LOT WORSE, 911 00:42:23,820 --> 00:42:25,720 AND THEY MANAGED TO KEEP THEIR WITS ABOUT THEM. 912 00:42:25,750 --> 00:42:27,920 I'M CLEAR. I KNOW WHAT I GOT TO DO, 913 00:42:27,950 --> 00:42:30,420 AND I'M GOING TO PROVE IT TO YOU. 914 00:42:30,450 --> 00:42:32,020 ALL RIGHT THEN. 915 00:42:39,500 --> 00:42:41,070 GOOD NIGHT. 916 00:42:41,100 --> 00:42:43,200 YEAH, GOOD NIGHT.